Onam Greetings

Vibrant and joyous festival of Onam is celebrated with lot of zeal in the state of Kerala. Most remarkable feature of this harvest festival is its secular character. People of all caste, communities and religions actively participate with same excitement. Elders in the family convey the good wishes of Onam to the young ones by giving them gifts. Juniors also exchange gifts amongst each other and convey their sincere best wishes for Onam to each other. Now a days people send onam greeting cards and ecards to their dear ones like Christmas New Year seasons. You can send Free Online Greeting Cards to your friends & loved ones from http://www.binbrain.com/photos/ or http://binbrain.com/card/

Story Behind Onam

A long long time ago, an Asura (demon) king called Mahabali ruled Kerala. He was a wise, benevolent and judicious ruler and beloved of his subjects. Soon his fame as an able king began to spread far and wide, but when he extended his rule to the heavens and the netherworld, the gods felt challenged and began to fear his growing powers. Presuming that he might become over-powerful, Aditi, the mother of Devas pleaded with Lord Vishnu to curtail Mahabali’s powers.

Vishnu transformed himself into a dwarf called Vamana and approached Mahabali while he was performing a yajna and asked for alms. Pleased with the dwarf brahmin’s wisdom, Mahabali granted him a wish. The Emperor’s preceptor, Sukracharya warned him against making the gift, for he realized that the seeker was no ordinary person. But the Emperor’s kingly ego was boosted to think that God had asked him for a favor. So he firmly declared that there is no greater sin than going back on one’s promise. He kept his word.

The Vamana asked for a simple gift – three paces of land – and the king agreed to it. Vishnu in the guise of Vamana then increased his stature and with the first step covered the sky, blotting out the stars, and with the second, straddled the netherworld. Realising that Vamana’s third step will destroy the earth, Mahabali offered his head as the last step.

Vishnu’s fatal third step pushed him to the netherworld, but before banishing him to the underworld Vishnu granted him a boon. Since he was attached to his kingdom and his people, he was allowed to return once a year from exile. Onam is the celebration that marks the homecoming of King Mahabali. It is the day when a grateful Kerala pays a glorious tribute to the memory of this benign king who gave his all for his subjects.

Remarkable Features of Onam

Pookalam

Pookalam is an intricate and colourful arrangement of flowers laid on the floor. Tradition of decorating Pookalam is extremely popular in Kerala and is followed as a ritual in every household during ten-day-long Onam celebrations. ‘Pookhalam’ consists of two words, ‘poov’ meaning flower and ‘kalam’ means colour sketches on the ground. It is considered auspicious to prepare Pookalam, also known as ‘Aththa-Poo’ during the festival of Onam.  Kilo and kilos of flowers, lot of dedication, creativity, technique and team effort are the basic essential of an eye catching Pookkalam.

Athapoovu are usually circular in shape and multi-tiered colourful arrangements of flowers, petals and leaves. Use of powder colours, desiccated coconut or artificial flowers is prohibited. Pookalams are normally laid on the front court yard of the house. Idols of Mahabali and Vishnu are placed in the center of the Pookalam and worshiped. Diameter of a Pookalam normally ranges from four to five meters.

Ritual of making the flower mats continues for all ten days of Onam. Designing starts from the day of Atham and is made ready by Thiruvonam day. Basic design is prepared on the first day. Size of a Pookalam is increased by adding more to it on every passing day hence a massive Pookalam gets ready for the main day of the occasion. Its a big creative task, as designers have to think of a new design ever day.

Onasadya

Onasadhya is the most delicious part of the grand festival called Onam. It is considered to be the most elaborate and grand meal prepared by any civilisation or cultures in the world. It’s a feast which if enjoyed once is relished for years. Rich and the poor, everybody prepares Onasadya in a grand fashion as people of Kerala are extremely devotional and passionate when it comes to Onasadya. Rich and the poor, everybody prepares Onasadya in a grand fashion as people of Kerala are extremely devotional and passionate when it comes to Onasadya.

There will be 11 essential dishes for Onasadya. Number of dishes may go upto 13. Earlier, Onasaya used to be even more elaborate than depicted above. There were about 64 mandatory dishes – eight varieties each of the eight dishes. At that time three banana leaves were served one under the other to accommodate all the dishes.

Onasadya is to be consumed with hands and avoid spoon and fork to enjoy the real taste of Kerala. Rice is the essential and major ingredient of Onam Sadya.The food has to be served on a tender Banana leaf, laid with the end to the left hand side. The meal is traditionally served on a mat laid on the floor. A strict order of serving the dishes one after another is obeyed. Besides, there are clear directions as to what will be served in which part of the banana leaf.

Major items:  Pappadum, banana – Salt, banana wafers, sarkarapuratti fries, ginger, lime and mango pickles, ‘vellarika’, ‘pavakka’, ‘beetroot’ and ‘ulli kitchadi’. ‘Kitchadi’ made of pineapple and banana splits or of grapes and apple, ‘cabbage thoran’ or thoran made of beans and avial, bread and green peas mix ‘thoran”, kootucurry, ‘parippu curry, ghee, Sambhar, Rasam, butter milk, curd, adaprathaman Payasam, erissery, Kalan or Pulisseri, Olan, Pachadi,  Mulakoshyam etc

Snake Boat Race

Snake boat races of Kerala during Onam are another, unparalleled attraction of God’s Own Country. A sport that signifies the excellent team spirit, integration and amity of the people of this backwater country. An occasions of great excitement that is a reflection of a vibrant people.

Snake boat races are held in connection with Onam, the harvest festival in August/September. Scores of long snake boats and other smaller crafts participate in these events. The largest team sport in the world, the snake boat races are preceded by colourful water parades.

Usually, a snake boat is manned by four helmsmen, 25 singers and 100-125 oarsmen, who row in unison to the fast rhythm of vanchipattu (song of the boatman). Thousands of people crowd the water’s edge to cheer the huge black crafts as they slice through the waters to a spectacular finish. The oldest of these events have curious legends and myths attached to their origin. Myths closely linked to the rustic people and their beliefs.

Kaikottikali dance

Kaikottikali, also known as thiruvathirakali, is a very popular, graceful and symmetric group-dance of the women of Kerala often performed during festive seasons like Thiruvathira and Onam. It is a simple and gentle dance with the lasya element predominating, even though the thandava part is also brought in occasionally, when men also participate as seen in some parts of the Malabar area.

Typically dressed in Kerala style with mandu and neriyathu and the hairbun bedecked with jasmine garlands the women dance in gay abandon, singing melodious Thiruvathira songs which are well-reputed for their literary flourish. One of the performers sing the first line of a song while the rest repeat it in chorus, clapping their hands in unison. Moving in a circle, clockwise and at time anticlockwise, at every step they gracefully bend sideways, the arms coming together in beautiful gestures, upwards and downwards and to either side, in order to clap

kalaripayatt

Another attraction of Kerala during Onam is Kalaripayatt. Kalaripayatt is the ancient martial art existing in Kerala, in South India. In the word Kalaripayatt, Exactly to say a school for all students inside a hut. ‘KALARI’ means the enemy of all Bad, be it Inside or Outside of Human Body or in Nature. ‘PAYATT’ means the practice, which when done regularly under certain conditions increases energy, peace, power, and good health. It also makes the mind sharp and concentrated.

In ancient days, Kerala was covered by thick forests, mountains and water. Wild animals used to attack people. To protect themselves from animals man started to learn different techniques of fighting by watching birds, reptiles and animals. Thus evolved the self-defence technique Kalaripayatt. It is believed one of Lord Vishnu’s incarnation PARASHURAMA united all the techniques observing from nature and presented to humans for their self protection from all kinds of enemies in nature.

Pulikali

Pulikali is a colorful recreational folk art from the state of Kerala. It is performed by trained artists to entertain people on the occasion of Onam.  Pulikali, also known as Kaduvaakali, is a 200 year old art, carefully preserved by the artists of the state. Literal meaning of Pulikali is the ‘play of the tigers’ hence the performance revolve around the theme of tiger hunting. The folk art is mainly practiced in Thrissur (Trichur) and Palghat districts of Kerala. Best place to watch the show is Swaraj Ground at Thrissur on the fourth day of Onam, where Pulikali troupes from all over the district assemble to display their skills.

Striking feature of this folk art is the colorful appearance of the performers. To get the semblance of a tiger artists paint themselves in bright yellow with patterns of black and red. A tiger mask on the face completes the get up.

It is a painstaking job and artists spend a whole night prior to the performance day on their make-up. Patience of artists must be appreciated, as most paints contain toxic chemicals which create a burning sensation when applied on newly shaved bodies.

It is a wonderful sight to see humans in the guise of tigers roaming in the streets. Children, specifically take great delight in their performance as the entertainers dance, pounce and walk like a tiger. Scenes of tiger hunting goats and tiger being hunted by a human beings are also beautifully depicted by them. Beat for the dance movement is provided by percussion instruments like ‘udukku’ and ‘thakil’.

Significance of onam

Onam has been part of Malayalee psyche for centuries. There are records of Onam being celebrated during the Sangam Age. The earliest record of Onam is found during the time of Kulasekhara Perumals around AD 800.
Onam has two specific significances. First it is the communal memory and celebration of past history as enunciated in the Mahabali legend – a story of how paradise was lost. Second it is the celebration of the harvest, tied with the memory of the golden age of prosperity. It is believed that during those days the whole of Chingam was celebrated as Onam season. After the rain-drenched month of Karkidakam, with its privations, Chingam is a welcome month for people in the state of Kerala. The festival is the harbinger of spring – signalling the start of the harvest season. Onam epitomises the newfound vigour and enthusiasm of the season, and is celebrated with traditional fervour with visits to temples, family get-togethers, gifting of clothes called Onakkodi and lots of merrymaking.

The Keralites perform the Mohiniattam Dance, dedicated to the female form of Vishnu Mohini. There is also the Krishnanaattam dance. Many Keralites also worship Narayani. Sri Narayani Peedam and Sri Bangaru Adigalar of Kerala and their followers claim that these two figures are a forms or avatars of the goddess Sri Narayani. Thiruvathira kali is another dance form performed at the time of onam.

Legend

Kashyapa had two wives, Diti and Aditi, who were the parents of demons and demigods (Asuras and Devas) respectively. Indra, the king of demigods, went to war with the king of Asuras. Mahabali, the King of Asuras, defeated Indra and proceeded to occupy Indra’s territory. Kashyapa, who had gone to the Himalayas to do penance, on his return found Aditi weeping over the defeat of her son, Indra. By divine insight, Kashyapa recognised the cause of grief. Kashyapa tried to console Aditi who was wailing in grief, saying that nothing happens in the world without God’s will and people should go on doing their duties. Kashyapa asked Aditi to pray to Lord Narayana and taught her Payovrata, a ritual that has to be observed from the 12th day of the bright half of Karthika (Sukla-paksha Dwaadasi). Since Aditi carried out the Vrata with a pious heart, Lord Narayana appeared before her and informed her that he would himself place a child in her womb and help Indra. Later, on the 12th day of the bright half of the month of Bhadrapada, Aditi gave birth to a son of uncommon effulgence. That child, “Vamana-murti“, demonstrated his divine powers by doing marvellous deeds even when he was a child.

Balichakravarthi (Bali, The Emperor) or Mahabali, was the grandson of Prahlad (son of Hiranya Kashyapu) who met Vishnu in his Vamana Avatar. Prahalad, despite being an Asura, had great faith in Vishnu. One cannot miss the series of warfare between Vishnu and the Asuras – those born of the breath of God. Bali Maharaj, sat in Prahlad’s lap as a child and learnt love and devotion of Lord Vishnu from Prahlad.

Mahabali’s rule was considered as the golden era of Kerala. The celebration of Onam resounds and chants the following song all over Kerala:

‘ When Maveli, our King, ruled the land,
All the people were as One.
And people live joyful and merry;
They were all free from harm.
There was neither anxiety nor sickness,
Death of the children were never even heard of,
There were no lies,
There is neither theft nor deceit,
And no one is false in speech either.
Measures and weights were right;
No one cheated or wronged their neighbor.
When Maveli, our King, ruled the land,
All the peoples formed one casteless race.’

The gods were very annoyed as Bali became the ruler of all the three worlds having defeated the Devas. Violence was inflicted upon the Devas.[1] The gods approached Vishnu and asked for his help them. Mahabali, who was performing the sacrificial rite of Viswajith Yagna or Aswamedha Yagna[2] on the banks of Narmada River, declared that he would give anything that anyone sought from him during this Yagna. He Vishnu, incarnated in the form of Vamana, a dwarf to defeat the Daityas.

Vamana came to the Yaga-shala. As he was approaching them, the sages assembled there perceived the extraordinary effulgence form of the young lad. Mahabali went forth to receive the Brahmin boy with all traditional honours and gave him an eminent seat befitting the status of a holy person. Bali with the usual courtesy given to the people who come to ask for help told him Master! It is my good fortune that you have chosen to honour me with your presence. Whatever you desire, I am here ready to fulfill the same. Vamana smiled and said: “You need not give me anything great. It is enough if you give me that extend of land covered by three footsteps of mine”.

On hearing him, Bali’s preceptor, the Brahmin Shukracharya (a Daitya priest) who had vision of the future told Bali that the one, who had come to take alms from Bali was not an ordinary Brahmin but Lord Narayana Himself who had assumed this form. He advised Bali not to promise the lad anything. But Bali was a king who would never go back on his word. He told his Guru that he would never break his promise as it was a sin. Shukracharya insisted that he should not fulfill the demand of Vamana as he had come to deprive Bali of all his possessions.

Bali, however, was determined to honour the word given to Vamana, begged pardon of his Guru for disregarding his advice. Earlier, while Bali was embarking on the war with Indra, he had prostrated at the feet of his preceptor, Shukracharya, and on his advice he performed the Vishwajit Yagna from which he secured very powerful weapons. It was only because of Shukracharya’s help that he was able to conquer Indra. On this occasion, Bali was not prepared to heed the advice of the same preceptor. Shukracharya cursed Bali, saying: ‘As you have not heeded your Guru’s words, you will be reduced to ashes’. Bali was firm and replied: ‘I am prepared to face any consequence but will not go back on my word’.

Saying so, he asked Vamana to measure the three feet of land as desired by him. All attempts of Shukracharya to dissuade Bali from offering the land desired by Vamana proved futile. Bali considered everyone who came to him as god himself and never refused anyone anything that they have asked. Bali told his Guru: “Prana (life) and Maana (honour) are like the two eyes of a person. Even if life goes, honour should be protected. Knowing that the person that has come now is the Lord Himself, I should be the most fortunate one as the Lord, who gives everything to mankind, is seeking something from me.” Bali boasted that even in Vishnu himself were to come to his sacrifice and ask for anything, Bali would deliver it.

Vamana grew in size until he towered above the heavens. With one foot, he measured all of the earth. With the other, he claimed all of the heaven. There was still one foot of territory that Bali owed him. Bali asked to place the final step on his head as the third step of land which Lord Vamana had asked for as alms. Vamana placed the third step on the head of Bali and suppressed him to Patala, the underworld. For the devotion of this Daitya Mahabali, Lord Vishnu (Vamana) granted him rule over Patala. Vamana aka Vishnu granted Bali the boon that he would hold the position of Indra for one Manvantara , thus fulfilling his devotee’s desire ( the office of Indra being a rotating position , changing every Manvantara ) .

As a last wish Mahabali was granted the permission to visit his subjects once a year. Thus, Keralites celebrate Onam festival to commemorate the memory of a Great King Mahabali who would keep his promise. Mahabali fulfilled his name as the great martyr for the sake of Truth (“Satya”). The name “Mahabali” itself means Great Sacrifice.

During Onam, the feast and festive mood of the people, dressed in their best, is considered reminiscent of the prosperous and truthful life of the subjects during Bali’s flawless reign. People wear new clothes (Vastra) during Onam. The ‘Vastra’ also stands for heart. Thus the significance of wearing new clothes is about making the heart new by removing all bad thoughts and feelings. People forgetting their sectarian outlooks, join together to welcome the auspicious ‘Thiruvonam’ day.

Attractions of Onam

One of the main attractions of Onam, is the ‘Vallamkali’ or boat races of Karuvatta, Payippad, Aranmula and Kottayam. Hundreds of oarsmen row traditional boats to the rhythm of drums and cymbals. These long graceful Snake Boats called ‘Chundans’ are named after their exceedingly long hulls and high sterns that resemble the raised hood of a cobra.

Then there are ‘Odis’, the small and swift raiding crafts adorned with gold tasseled silk umbrellas, the ‘Churulans’ with their elaborately curled prows and sterns, and the ‘Veppus’, a kind of cook-boat. This traditional village rivalry on watercrafts reminds one of ancient naval warfare.

Thousands throng the banks to cheer and watch the breathtaking show of muscle power, rowing skills and rapid rhythm. These boats – all pitted against their own kind – rip through the backwaters of Kerala in a tussle of speed.

Onam Special Recipes

‘Onasadhya’ is the grand feast served during the celebration of Onam in Kerala. It is served in Banana leafs. There is a way of placing the leaf and an order of serving the dishes.

* Parippu Curry
* Sambar
* Avial
* Kalan
* Olan
* Thoran
* Puliinji
* Injithair
* Pineapple Pachhady

* Erissery
* Kootucurry
* Naranga Pickle
* Manga Curry
* Banana Chips
* Sarkarapuratty
* Payasam
* Prathaman
* Lady’s Finger Kichadi

Rice is the main course. With rice, various kinds of dishes are served… curries, ‘upperies’ (things fried in oil), ‘pappadams’ (round crisp flour paste cakes of peculiar make), ‘achchars’ (pickles of various kinds), ‘payasams’ and ‘prathamans’ (Desserts). Fruits are also served, mainly plantain.

Athapookalam(Flower mats)

The ten-day celebrations of Onam start on Atham day. Earthen mounds, which look somewhat like square pyramids, representing Mahabali and Vishnu are placed in the dung-plastered courtyards in front of the house and beautifully decorated with flowers. Known as ‘Onapookkalam’, it is a carpet made out of the gathered blossoms with one or two varieties of foliage of differing tints pinched up into little pieces to serve the decorator’s purpose. It is a beautiful work of art accomplished with a delicate touch and a highly artistic sense of tone and blending. (In a similar manner North Indians make something called “Rangoli” which is made of powders of various colors.) When completed, a miniature pandal, hung with little festoons is erected over it.